Oracidae is a broadly remote, uppercase typeface with Cyrillic letters and a ‘CT’ concurrent, which looks to bridge the approach of a deepening, self-isolated technological society, common by repetition.₃
2.  Devised by eye, the stroke distinction in Oracidae amounts to the common double Y=X2, unless a cross-bar or contrasting feature. The overall depth remains a fluid, dynamic equilibrium, set to a standard reading logic, due to its cap-height linearity. Some letters peak however. For example, letter G overflows the boundary, whereas letter C complies. The bowl of letter R curls under. This is ascribed to the orientation of hand and stroke sequence – direction highlights slice way, hydraulic ink-traps persist with the tide [1].
3.  The letter B has italic counters in order to breathe. Letter J does justice to its footing by reduction to the vertical stroke and shrugs a cold-shoulder.

4.Slight terminal renouncements occur in Oracidae CT, comparable to the Copperplate typeface of 1901 (ATF).₄
The onlooker may surpass this semi-conducting gothic hint, however, these dovetail reference points acknowledge the medium to which Oracidae CT installs itself.₅ They are considered non-serif, as their being touches on methods of early stone inscription as opposed to motif. Some hang frosted, the tail of letter R and the base of W for instance [1].
5.  Cyrillic script functions well under such compression [3]. Each character refers to traditional shape development. The letter Я is not simply a back-to-front Latin R, the form maintains an individual course of historic flow fabrication. The letter И is another indication of Cyrillic heritage, notice how the diagonal stroke bridges above the baseline and beneath the cap-height. The character Ж warps perceptions of reflection, what appears mirrored is not the case, the shape demonstrates progressive enlightenment.
6.  Oracidaes numerals differ in contrast to the letters [5]. Based on extremities of filtered balance, the rounder contours give a hybrid buoyancy to the entire typeface, which sets them apart on glance. The zero has an off-vertical strike-through, the oval contrast is inverted by submission to clarify. Numeral one sits upon a declining base, a somewhat inclined reversal.
7.  Oracidae CT Italic has been fine-tuned to the Monylop Principle₅