PUBLICATION: REFLECTION ON PRACTICE | AUTHOR: DAVID G. MILLHOUSE





SUBJECT: LETTERFORMATION
182 X 250 MM | DHZ-ZWART 250GR COVER | DHZ-ZWART 160GR (4) PAGES
INK DYED THREAD HAND BOUND
1388 WORDS | 1 IMAGE
TYPEFACES: CAESURA & SOLIT
ONLY AVAILABLE IN PRINT
XEROX PRINTED IN ROTTERDAM
2019 FIRST EDITION OF 30
£12


Type stands still when time is forgotten, in solitude one reads in motion. Repetition casts towards command, outlining the domain of a constrained set of principles. An age of reason; a summary to clutch and feed from, to binge on and dispose of by conformation. So be it. So so … Underline, outline, strike-through, highlight. All under the act of reason. So be it, for now.
  Here lay a brief set of beliefs written on the practice of drawing letterforms and the post-production to their existence. The organisation of an instrument, in this case two typefaces (Caesura and Solit) as specimen, composed in reflection of themselves. However, not the initial.
Current contours stand to appeal to the curious minds of an overdosed information rage, on register – the state of a forever developing and current understanding of typographical language, its cause and cure, in print.
  Type ‘Design’ drops an unsatisfactory taste of renewal, a whimsical trail forever unsure and in favour of vague dismissals in direction or conquest. The course of writing remains unwritten. The following discourse prunes at a budding picture – the letterform in practice.

 


 

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